And sometimes when we do, we don’t even realize it. Just because.Here’s the thing about second chances: we don’t always get them. He is also a co-writer on Stiffs, a horror comedy series set in South Wales about call centre workers who hunt the undead by night. Joe is also a comics creator, writer of LGBTQ superhero team series, The Pride, the first issue of which was one of the Top 25 ComiXology Submit Titles of 2014. He is also now Bleeding Cool's Senior Mutant Correspondent thanks to his obsession with Marvel's merry mutants. He's been a roaming reporter at shows like SDCC and NYCC, and also has a keen LGBTQ focus, with his occasional LGBTQ focus articles, Tales from the Four Color Closet. Posted in: Comics | Tagged: c2e2, Comics, duck, interview, kickstarter, marvel, Silk, Tana Ford About Joe GlassJoe Glass has been contributing to Bleeding Cool for about four years. Greg Baldino has a headache the size of Ego the Living Planet, so he's going to celebrate another great C2E2 with some ibuprofen and La Croix. So that's my meal of choice for celebration. Tana: I immediately go–and this shows my Irish roots–to the whisky bottle! My signature cocktail is the Tan-hattan, which is like a traditional manhattan but with black bing cherry juice to sweeten it up.

Greg: Finally, because I'm secretly working to turn Bleeding Cool into a food blog, what's your meal of choice when you've finished a major project? Do you go for a fancy restaurant, comfort food at home…? So there is a big transformation, and looking at the issues back to back, and almost panel to panel, you can see the progression that I've made to land on my own style. By the end of the series, it belongs to me, and I feel like I've really owned the way that I make superhero comics. So there's a bit of tension in the first couple issues of Silk because I hadn't found my own voice, I hadn't found my superhero voice. And it's happy the way that my gritty detailed art is never going to be.

Tana: It took some getting used to, and also at first I thought I was only going to be a fill-in artist, but I wanted to do a sort of homage to Stacey Lee's art–and if you don't know her she's fantastic–and she has a very animated very dynamic style.

Greg: How did your style of working changed when you moved from doing Duck, where you were the only creator, to Silk, where not only are you working with a writer, but also a colorist and a letterer.

Duck! Second Chances by Tana Ford